The Body in Art

Body silhouette example ~ Sara Roizen

‘Each body has it’s art…’
~ Gwendolyn Brooks

A few months ago during our Happiness Art Therapy Group with veterans we used a session to explore mind/body connection. I believe that art therapy automatically lends itself to the physical and bodily realm; the tactile exploration of art materials and the way our hands, arms, and posture all inform the creative process.

A reoccurring theme for many of the veterans I have worked with is a sense of loss in the physical realm. Most of these men and women were at the peak of their health during active service between training, drills, and everyday duties. This was required of them and many of my group members shared great pride in what they were able to accomplish during service. They often reminisced about surviving boot camp and being surprised by how hard they were able to push themselves and their bodies when necessary.

We began this particular art therapy group by exploring how the group members currently felt about their bodies. Were they at odds with their bodies or at peace with them? Which parts continued to serve them well and were there any parts that seemed to be failing them? Many of the members were currently dealing with chronic health issues, recovering from surgeries, and being treated for substance abuse or in recovery.

As we continued to talk about our bodies I handed each veteran a piece of paper with a pre-drawn body silhouette on it. I asked them to imagine that their body had a voice and was speaking to them right now. We then used drawing materials to fill in the silhouette with colors, shapes, and forms that symbolized how the body felt at this moment. I encouraged them to add words to represent the voice of the body. What advice did the body have? Which parts spoke up the most?

‘A-Part’ mixed media ~ Sara Roizen

I decided to create my own body silhouette (top image). Some of my body’s messages included ‘remember to keep my heart open,’ ‘remember to breathe,’ and ‘stretch.’ I also included ‘make more art’ because my body and mind feel it when I have not been creating for a while. Creating art both relaxes and rejuvenates my body and mind.

We finished the group by sharing each finished body silhouette. The veterans expressed surprise by some of the body parts that had ‘spoken up.’ I asked if they sensed any shift in body awareness or attitudes toward their bodies. Several group members said that they were realizing how often they were ‘at war’ with their own bodies instead of being kind to themselves. Some body parts and feelings just needed gentle attention and patience instead of being ignored or punished. Each member took the finished piece with them, to serve as a reminder for tuning into their bodies at least once a day.

A few years ago I led an art therapy group called Body Positive with HIV positive men. We traced each person’s body onto large paper and then they explored the physical and emotional sides of living with HIV through filling in the silhouettes. You can read about that group here: Art Therapy & Body Image

Resist(ance) & Watercolor

oil pastel & watercolor ~ Sara Roizen
 “It’s easier to resist at the beginning than at the end.”
~ Leonardo Da Vinci
It was pouring rain as I headed deep into Brooklyn to lead one of my art therapy groups at a residential building for adults living with chronic mental illness. It seemed fitting that I had packed watercolor for the group that day, as well as oil pastels. My thinking was that instead of fighting the rainy day, perhaps we could glean some inspiration from the puddles, soaked clothing, and failed attempts to stay dry.
As I walked to the building, there was a little doubting voice in my head that wondered whether or not the simple watercolor and oil pastel materials would be enough to entice the residents during group. As an art therapist I often find myself wondering if my ‘buffet’ of art materials will feed a hungry group or if they will find my offerings lacking. Each group is completely different and I always remind myself to do the same thing that I encourage my clients to do…trust the process.
As it turned out, this particular group ended up being one of the most attended and lively art therapy groups I had led in a while. My enthusiasm for the process quickly spread throughout the entire group. I did a quick demonstration by showing the clients how to create doodles with the white crayon on the white paper. Once the drawing was done, I showed how layers of watercolor could be added to reveal the white crayon lines underneath. This technique works because oil and water don’t mix – hence the beautiful resist paintings that emerge.
oil pastel & watercolor ~ Sara Roizen
One of the new group members began hesitantly and at first expressed frustration that the art was not matching the vision in his mind. A few of my more seasoned group members gently encouraged him to keep going and not worry so much about the finished product. (Always amazing when a group is in the flow and seems to run itself!) As he started a second resist painting he mentioned that he hadn’t picked up an art material in years. I asked him if he remembered the last time and he said, “when I joined the army I traded my drawing pencil for a rifle.” There was a collective silence and a few head nods from other group members that were veterans.

As this client continued to create, we all noticed that his pieces were becoming less self-conscious and much more fluid. His last piece was an abstract geometrical square pattern and the shapes seemed to leap from the paper. I helped him explore the idea of muscle memory and asked him if he could retrain himself in the practice of art as a parallel to his experience of training for and serving in the army. The connection between the two seemed to appeal to him and I pointed out that in only an hour and a half he had gone from a reluctant group participant to an engaged and more self-assured creator.

Quick crayon & watercolor resist tips:

White crayon on white paper leads to the most striking visual results, but adding other color crayon lines adds very interesting effects!
  • To create a solid and clear line, make sure to press down pretty hard on the crayon. I always tell my clients not worry if the crayon breaks! Having a few extra white crayons in your supply bin can help too.
  • The more pigment/watercolor on the brush = deeper and less transparent layers. To create a crisp visual edge, load that brush up with pigment. For more subtle washes and soft effects, use more water.
  • Many of my group members are not sure what to draw so to warm them up I encourage doodling with eyes closed, picking a shape and repeating it, or having someone else draw and then have them add the watercolor.
oil pastel & watercolor mandala journal pages ~ Sara Roizen
  • This activity appeals to the inner child as well as actual children. I have used this technique in the children’s hospital with patients and parents. The adult can write a ‘secret’ message or create a drawing in white crayon on the paper, and then the child reveals it by adding watercolor, and plenty of opportunity to switch roles too! A beautiful and simple collaborative method.
     Enjoy this technique! It’s one of the most relaxing and simple techniques I have found and always leads to amazing discoveries.

Happiness Group & The Art of Forgiveness

Beginning a forgiveness box with a quote

To forgive is to set a prisoner free and discover that the prisoner was you.

~ Lewis B. Smedes

The holidays tend to bring up complex feelings for many people. Thanksgiving, Christmas, Hanukah, New Years, and other holidays seem to blend together during this time of year and there is a palpable energy in the chilly air.

This is also a time of year when my art therapy groups tend to get smaller for a few weeks. The holidays are especially triggering for many of the individuals that I work with – bringing up complex feelings and memories. I think part of what makes it challenging is a feeling that this time of year ‘should’ be joyful even if it’s not for everyone. Drug and alcohol relapses as well as hospitalizations tend to increase with my clients and many other tend to isolate in their apartments if they have no friends or relatives to be with. This is part of why I find it important to continue the groups, even if attendance is lower. There are usually at least a few people that make their way to the group and find some benefit and comfort in participating.

In my continuing work with veterans living in supportive housing, my co-therapist and I started a new group called the ‘Happiness Group.’ One of the interesting challenges inherent in working with individuals in permanent housing is finding ways to keep groups interesting. My past work has focused on working with people in crisis and living in emergency transitional shelters. Although the art therapy groups were challenging, I could expect a constantly changing group of clients. In contrast, the groups offered in permanent housing facilities are less transient but the risk of group repetition and lack of interest increase. With this in mind, my co-therapist and I began to brainstorm a new group that might be of interest. Drawing from positive psychology and our own interests, we designed a new curriculum and group called the ‘Happiness Group.’

So far the residents have been drawn to our new Happiness Group and are very engaged. I always highlight the fact that ‘being happy’ is not a pre-requisite for coming to the group. In fact, the group flyers that I created include this description:

We all want more happiness in life. But
how do we create happiness when there are so many challenges and hard
situations we face? This group will give you ideas and tools for creating more
happiness in your daily life, no matter what you are facing. 

Forgiveness box in progress

Our group last week focused on the theme of forgiveness. Forgiveness and happiness might seem like strange companions, yet they are directly linked. Much of our emotional and physical energy can become tied up in feelings of anger and past resentment. Although it’s a long and challenging process, working with forgiveness can free up energy that can be channeled into cultivating more happiness.

In group we spent time talking about what forgiveness might entail and why forgiveness does not mean forgetting or saying that something hurtful was ok and acceptable. Alice Miller said, “Genuine forgiveness does not deny anger but faces it head-on,” and I think this is a good way of understanding forgiveness.

Forgiveness Boxes
Group members shared the people and experiences that they were struggling to forgive. We also explored self-forgiveness, since sometimes we are the ones in most need of forgiveness. My co-leader encouraged the clients to write a letter to someone they wanted to forgive. The letter would not be mailed to the person, but could be used as a cathartic method for addressing and processing feelings of anger, hurt, and disappointment.

For the art therapy piece of the group I set up paint trays, acrylic, brushes, collage materials, markers, and mod podge. I then handed each person a small paper mache box. I asked the group to decorate the boxes on the inside and outside while thinking about a person or a few people that they would like to work on forgiving. The gold and copper paint were a popular paint color and the metallic paint helped imbue the boxes with a certain beauty. While working on the boxes, group members began to open up about past experiences with the people they were working to forgive.

I reminded the group that forgiveness was a process like most everything in life. Feelings about the person might ebb and flow like ocean waves and re-surface even after there seemed to be some emotional resolution. For this reason I encouraged the clients to look at the box as an object that can be opened and closed and therefore visited and put aside depending on their needs.

The last step was writing the name of one or more people (could include self) on a small piece of paper and placing it inside the box. The name could stay in there for a long time, or be taken out and replaced with another name. In this way the names and the box could become part of a small ritual. The safe containing space of the box could hold the desire to forgive and be opened when it felt appropriate. One of the clients shared that she would place her forgiveness box on a small altar in her apartment where she kept a beautiful candle. Her idea was to create a ritual with her daughter of putting in names and taking them out while lighting a candle each day, as a way of processing past family experiences and moving in the direction of forgiveness and healing.

closed forgiveness box

Further Thoughts
When working with individuals who have experienced trauma I find the idea of objects that can close and be opened very useful. Working in this way can help an individual explore past experiences slowly and avoid the chance of emotional flooding. Altered books (future post) are another idea along these lines. Any material and object that creates a containing space and can hold a smaller object are wonderful to work with. If I could get my hands on some nesting dolls to alter that would be very interesting too!

Creating art objects that can be used repeatedly in a personal ritual adds another opportunity for healing by engaging in the creative process. Individuals can make visual reminders that inhabit their living space.

Check back in the coming weeks for more posts and ideas from my art therapy groups, and as always please feel free to share your own thoughts and experiences here.

Breathing Space Collaboration ~ With Veterans





What art offers is space – a certain breathing room for the spirit.                    ~ John Updike

Collaboration
I have been collaborating with another therapist for the past number of weeks and providing art therapy groups for veterans living in supportive housing. One of these groups is a smoking cessation group (or smoking ‘sensation’ as one of our clients calls it!) The other therapist leads the first half of the group based on a psycho-educational curriculum that includes ice breakers, basic information, and coping strategies for trying to quit smoking and manage stress. During the second part of the group I lead the clients in an art therapy experiential that is designed to compliment and build on the theme that week. 

This is the first opportunity I have had to directly collaborate with another therapist in group therapy and it is a wonderful experience. As an art therapist contractor I am used to working very independently – going to different locations and running the art therapy groups on my own. This is a unique learning experience and allows us to shape the groups in a way that speaks to clients on many different levels.

One of the core foundations of smoking cessation (or trying to modify any unhealthy habit) is finding alternative coping strategies and ways to manage stress and difficult emotions. Many of us instinctively reach for something when we are trying to escape difficult emotions. It might be a cigarette, cookie, glass of wine, or the tv remote. These habits become so ingrained that they are largely unconscious actions, designed to keep the difficult feelings at bay for a while longer. Much of our group focuses on alternative ways to channel these emotions productively – through things like art, movement, and mindfulness-building skills. With this in mind, my co-therapist asked a yoga teacher who specializes in teaching simple breathing techniques to come in and co-lead two groups. 

The Experience
The yoga teacher explained that there are simple ways to relax through mindful breathing and that she would share some of her favorite methods. She encouraged us to sit comfortably in our chairs and to close our eyes. 

Before closing my eyes, I glanced around the circle of individuals. There was the yoga teacher, the other therapist, a peer specialist, and the clients – all veterans.  I was looking forward to being a participant in this part of the group. At the same time I was very curious to see if the clients would be able to tolerate sitting still, focusing on breathing, and if any of them would comment on the incense, candles or soft New Age music playing in the background. I had my doubts but was cautiously optimistic. Sitting with the feelings and sensations that can arise during meditation, yoga, and breathing practices can be intense for any of us, and almost all of these veterans struggle with symptoms related to PTSD along with other mental health and substance abuse issues. 

A few minutes into the guided breathing the room was completely quiet except for the soft music and the yoga teacher’s rhythmic voice. I felt my shoulders relax as my mind grew quieter. There was a palpable feeling in the room that felt very different from the usual energy there. Glancing around the circle again I noticed that many of the client’s faces looked younger and then realized that it was because everyone’s face was relaxed instead of tense and furrowed. 

An entire hour passed as she led us through breathing techniques and gentle yoga stretches, but it seemed like no time had passed at all. A few of the veterans commented on how they could have kept sitting for another hour and just breathing. I was struck by how much we craved this breathing space. It can be especially hard to find this quiet space in such a big city and many of these veterans approach daily life from a survival mentality, which makes complete sense based on their long history of traumas. We spent a few minutes talking about ways to take a breathing space – no matter how short or long it was. The yoga teacher reminded us that a breathing space could be as simple as taking three conscious breaths before responding to a person or situation. Or it could be a more formal and slightly longer practice during the day. 

Art Therapy ~ Mandala Breathing Space
For my part of this group, I asked everyone to transition to the art table as quietly as possible in order to maintain the quiet energy. I encouraged each person to try and stay aware of their breathing and pay particular attention to their in and out breaths as they painted. I then handed out thick watercolor paper to each person. On each piece of paper I had pre-drawn a circle in white crayon that was barely visible. I asked everyone to use the watercolor and fill in the entire page with washes of color and any other forms or imagery. As the group painted away, each person began to see an emerging circle, that stood out under the color washes, no matter how many layers of paint were added. 

‘Moon Window’
acrylic on paper ~ Sara Roizen

After a few minutes all of the group members were asking about the circle and seemed to be enjoying the process of painting while the circle (mandala) remained. I explained that since crayons were made of wax, they resisted the watercolor and therefore anything drawn with a crayon would repel the watercolor away from it.

After the crayon and watercolor mandalas were finished we spent time talking about the art process and relating it back to the yoga and breathing experience. The theme of carving a breathing space out came up again and was symbolized by the crayon drawing that emerged no matter how many layers of watercolor were added over it. Clients talked about ways to create healthy boundaries in life to protect some time each day for slowing down and going inwards rather than always reaching for outer distractions. The watercolor layers were paralleled to life’s layers and all of the daily experiences that can feel like a burden at times. We discussed that the key was to remember the breathing space circle even when life seemed too complicated, because the breathing space was always there to return to. I encouraged each veteran to display their art piece in a place that could serve as a daily reminder to create that time and space.

Further Thoughts
By pre-drawing the circle in white crayon I was providing the clients with a containing space to create within and around. At times I will have the client draw the circle themselves, but in this case I wanted to create the pre-existing breathing space for the group, much like the yoga teacher had set up the chairs in a circle before the group began and set the stage with candles, incense, and music. The idea is to help clients to gradually internalize the safe breathing space for themselves and this could be explored in a future session by having the group create their own contained shapes to paint within or create circles for one another.

Any time we work within circles the structure creates a kind of ‘breathing space’ and a wonderful visual metaphor for slowing down, going inwards, and centering for a while. I can envision working outside in the garden with the veterans and creating a mandala using natural elements such as rocks, leaves, and sticks. Another idea could be to create a semi-permanent mandala breathing space if the location/facility allowed for it where clients could go any time they needed to take a few quiet minutes. This could be outside or in the corner of a quieter room with less foot traffic. 

To create a portable breathing space reminder, small surfaces such as artist trading cards (wallet-sized paper) could be created during group with circles and visual reminders to pause and breathe. The group could also create bracelets (which are of course wearable circles) as a daily reminder as well.

There will be more blog posts to follow that explore my collaboration and work with veterans. Stay tuned!

‘City Sun’
acrylic on canvas ~ Sara Roizen